Potprojekat: "Na kraj sveta...kuća mala"

Autor: BEOGRADSKA UMETNIČKA RADIONICA - BURA

Učesnici:
Jelica Stojančić (direktor BURE), Dragana Marković (arhitekta), Goran Nikolić Orge (Umnožavanje), Dragana Nikoletić (nameštaj), Jadranka Maca Koceić (Trenutak), Saša Totić (Brisanje), Sandra Grujović, Vesna Tašić, Goran D., Nataša Pejić, Vesna Vujić, Boris Stojančić DJ Blind, Horkeškart, duo: Mina Marinković (harfa), Nikola Šiljić (flauta) i studenti Akademije lepih umetnosti, Odsek unutrašnje arhitekture: Aleksandra Paunović, Ana Vuksan, Anja Marčetić, Goran Matić, Vedran Prole, Milena Mudrinić, Tamara Todorić, Mirna Latinović, Milica Mandić, Marko Vukojčić, Vladimir Bevc

Mesto: Muzej istorije Jugoslavije, Beograd
Datum: 12. november 2004.,
Vreme: od 12.00 do 18.00 gradjenje
od 18.00 do 19.00 useljenje.
U nastavku: program, DJ Blind i žurka do kasno u noć

U okviru medjunarodnog interdisciplinarnog projekta "Brisanje" autorke Marice Radojčić (Prešić), koji se održava se pod pokroviteljstvom Skupštine grada Beograda, Beogradska umetnička radionica "Bura" je u Muzej istorije Jugoslavije u Beogradu, 12. novembra 2004. priredila multimedijalni dogadjaj pod imenom "Na kraj sveta... kuća mala".

Potprojekat "Na kraj sveta..." je osmišljen kao suprotnost pojmu brisanja i predstavlja gradjenje, koje se u ovom slučaju, po mišljenju Bure, može realizovati kroz sofisticirani humor, a sam naziv dogadjaja nagoveštava da se svet od brisanja spasava igrom.

Bura namerava da kroz višečasovni performans sagradi kuću na "licu mesta", što će biti snimano i emitovano u večernjem delu programa.


dragana marković, kuća završena/ house finished

Glavni "majstor" je arhitekta i slikarka Dragana Marković kojoj su pomagali njeni studeni sa treće godine Akademije lepih umetnosti (Smer za unutrašnju arhitekturu), članovi Bure i posetioci izložbe. Po završetku "zidanja" , u kuću su se, izmedju ostalih uselili:


- u muzičku sobu Orge iz "Neočekivane sile koja se iznenada pojavljuje i rešava stvar" i njegov dvodimenzionalni dvojnik,
- u dnevnu sobu vajarka Dragana Nikoletić i njen foto nameštaj,
- u spavaću sobu anonimni autor i njegove "Figure Veneris" od gipsa,
- u gostinsku sobu Jadranka Maca Koceić sa skulpturom "Trenutak",
- u ostavu slikar Saša Totić sa svojom multimedijalnom instalacijom,
- na zeleni travnati tepih balkona - duo Mina Marinković (harfa) i Nikola Šiljić (flauta)
- u biblioteku Sanja Milić

Povodom useljenja bila je priredjena velika žurka za posetioce i sve učesnike projekta "Brisanje". Nastupao je hor i orkestar Horkeškart, pa DJ Blind. Služene su torte.

DRAGANA NIKOLETIĆ
Erasing & rasing

Neko nešto baci. Njemu je ružno, staro, pohabano. Hoće da ga IZBRIŠE iz svog života. Meni je, opet, lepo. Zardjalo, spljošteno, deformisano. Lepotom se opire BRISANJU. Zato mu dajem pravo na drugi život. Jedan komad čeka svog parnjaka nekad dugo, nekad se brzo ugradi u novo postojanje.

Svaka odbačena stvar može da postane nešto drugo, samo ako joj neko pruži šansu.

GORAN M. NIKOLIĆ
Umnožavanje

Uumnožavanje paterna (obrasca) legitimizuje i patern, kao i formu nastalu multiplikacijom. Medjutim, takav metod ne obezbedjuje autenični kvalitet koji izdržava analizu valjanosti - istinitosti; multiplikacijom greške dobija se multiplifikovana greška. Multiplikacija je dominantan metod produkcije na svim nivoima, estetske, industrjiske i svake druge.

Ideja projekta se zasniva na stanovitoj ironizaciji metode umnožavanja i sastoji se iz vizuelnog i audio dela.

SAŠA TOTIĆ:
Brisanje

Video projekcija i instalacija,komentar na odnose medju polovima, brak i život.

DRAGANA MARKOVIĆ
Interaktivna kuća

Iluzija kroz umetnički čin gradnje i igru postaje kuća, dom, stvarnost. Daje mogućnost nastajanja njenog sadržaja, pomera težište i energetski profil prostora, nudeći novu mogućnost interakcije. Snažno ukida prethodno bisanje, dok istovremeno postaje mogući predmet nekog budućeg brisanja.

JADRANKA MACA KOCEIĆ:
Trenutak

Skulptura koja zalazi u misteriju drame ljudskog postojanja, baveći se tajnom Bez-vremenosti. Brisanje je vidjeno kao fenomen nastao nerešenom tajnom Vremena. Nudi suočenje kao mogući izlaz.

kuća: zidovi / house: walls

Project: ERASING

Sub-Project: " at the end of the world...a little house"
("Na kraj sveta... kuca mala")
Author: Belgrade Art Workshop "TEMPEST"
(BEOGRADSKA UMETNICKA RADIONICA
"BURA" )

Participants:
Jelica Stojančić (direktor BURE), Dragana Marković (arhitekta), Goran Nikolić Orge (Umnožavanje), Dragana Nikoletić (nameštaj), Jadranka Maca Koceić (Trenutak), Saša Totić (Brisanje), Sandra Grujović, Vesna Tašić, Goran D., Nataša Pejić, Vesna Vujić, Boris Stojančić DJ Blind, Horkeškart, duo: Mina Marinković (harfa), Nikola Šiljić (flauta) i studenti Akademije lepih umetnosti, Odsek unutrašnje arhitekture: Aleksandra Paunović, Ana Vuksan, Anja Marčetić, Goran Matić, Vedran Prole, Milena Mudrinić, Tamara Todorić, Mirna Latinović, Milica Mandić, Marko Vukojčić, Vladimir Bevc

Place: Museum "25. maj", Belgrade
Date: 12. November 2004.

Belgrade Art Workshop, "BURA" (Tempest) is presenting a multimedia event titled: "At the end of the world... a little house", within the international and multidisciplinary project "Erasing", of the author Marice Radojčić (Prešić) which is supported by the Belgrade city government.
Sub-project "at the end of the world... a little house" is concieved as a counteraction to the concept of erasing and represents building and creating, which in this case, BURA deems, can be realized through sophisticated humor, the project title also implies that world can be "saved" from erasing by playing.
BURA's several hours performance consists of building a house, creating a home, on the spot. This has also been recorded and video played during the evening part of the event.
The main "builder" of Bura's house was architect and painter Ms Dragana Markovic, assisted by her students of the third year of the Academy of Fine Arts, (Department for interior architecture). They were been helped by all those who desired to do so, by Bura members and visitors.
Upon completion of the home "building", the following people have "moved in":
- into the music room - Orge from the band "Unexpected force that suddenly appears and resolves the thing", together with his two dimensional twin/double,
- into the living room - sculptor, Dragana Nikoletic, with her photo-furniture,
- into the bedroom - anonymous author and his Figurae Veneris in plaster,
- into the guest room - Jadranka Maca Koceic and her sculpture "Moment",
- into the storage room - painter, Mr Sasa Totic and his video installation "Erasing",
- into the library - Sanja Milic,
- into the space for welcoming guests, everywhere, Sandra Grujovic,
- on the green grass of the balcony-garden, duo Mina Marinkovic (harp) and Nikola Siljic (flute),
and more....
"House-warming" party, with cakes, for all the participants of the Erasing as well as visitors, has gone on till late in the night, with choir and orchestra Horkeshkart, followed by DJ Blind.

Lodgers:

DRAGANA NIKOLETIC

Erasing & rising

Someone throws away something. To him/her it is ugly, old, used up. They want to erase it from their life. Yet, it is beautiful to me. It is rusty, it is flattened, deformed. Its beauty resists erasing. That is why I grant it a new life. Sometimes one piece waits for another to become a pair a long time, sometimes gets a new existence rapidly.
Every rejected thing can become something else, only if someone gives it a chance.

GORAN M. NIKOLIC

Multiplication of a pattern legitimizes both pattern and the form created by the multiplication. Yet this method does not provide authentic quality that endures the quality/truth test; multiplication of a fault results in a fault multiplication. Multiplication is a dominant method of present production on all levels, esthetic, industrial and etc.
The Project is ironic about the multiplication method and consists of an audio and video piece.

SAŠA TOTIC:
The creation and disappearance of a parquet
Video projection and installation, a commentary on relations between the sexes, on marriage and life.

DRAGANA MARKOVIC
Interactive house
An illusion becomes a house, home, reality, by means of artistic act of building and playing. This new reality, a house, enables the creation of its content, and also shifts the center of gravity and energetic distribution of the space in which it is built. While strongly revoking the past erasing, at the same time becomes a possible subject of some new future erasing.

JADRANKA MACA KOCEIC:
Moment
A sculpture involving the mystery of the drama of human existence, addressing the secrets of Timelessness. Erasing is seen as a phenomenon generated by the unresolved secret of Time. It offers disclosure and confrontation as a possible solution.