Dusan Pajin
LIFE AND LONGING
- With examples from Chinese poetry
When I was young I was longing for the life experiences I thought were awaiting me in the future. Now, being over fifty, I know that experiences awaited me - but not the ones I expected. Some of them are better, some are worse than I expected. So, I cannot say that life fulfilled my longing, but it relieved me of a great burden. My burden was a feeling that I was cheated and treated unjustly by life.
Best years of our life
Until ten years ago I was somehow feeling that I was preparing myself for the great days in life to come, for the bright future that was still to come. Then one day, all of a sudden, I felt that the best days of my life were not in front of me, awaiting me in the future, but behind, already in the past. I read about the same experience, described by the French writer Marcel Proust, who died in 1922. Somehow, we both have shared this feeling of being cheated by life -it has put something before us as a bait, and then, before we could reach the bait, it disappeared. I felt that this was not fair - as if life "promised" me something, but did not keep the promise.
Winner or loser?
I seem to have passed the prime of life empty-handed,
with a feeling of a loser. I was feeling that life has treated me unjustly
-that I did my best, but was not rewarded for the effort.
Then, I remembered a quotation from K'uran , the holy Muslim book,
which says:
I swear by time
And by the unreliable destiny
That man is always at loss
And so it is until the end of time. (sura 103)
After several years I considered another way of reasoning. Maybe life is
not to blame. I thought that life promised me something in exchange for
my promise to work hard, and be "a good boy." Perhaps my longing
projected some hopes for the future that could not be fulfilled. When time
forced me to see that these shall not be fulfilled, I felt cheated, and
I had to give up my hopes. Now, my hopes were not any more part of future
expectation, but part of a remembered past, my hopes became my memories.
Later, I changed the perspective, following my own advice, that I gave
to a young man, several years ago. This is what he said: "I always
thought that my life would have meaning if I could go toward a single goal,
like an arrow shot toward its target. But somehow I cannot see what should
be that target, and when I catch a glimpse of a possible goal, myriad of
difficulties arise in front. Therefore, I fell confused and without direction."
I gave him an answer by example. Being an archer, one shiny day I took
him to a beautiful field where I never practiced archery. I brought the
target and said: "See, no matter how good an archer, he can shoot
more or less close to the center. In many cases he will miss it. Now, consider
a different practice -and I took an arrow, pulled the bow and shot the
arrow aimlessly up in the air. After a big free flight it fell down and
struck between the grass blades. I said: ''See, if you shoot like this
- just for the love of flying -you always hit the center, because the center
is on the spot where the arrow falls. So, maybe you should consider giving
your life a more free course, instead of compulsively searching for the
target, sticking to one option, and a straight trajectory."
I am not sure was this, in his case, a good advice, because I know that
some people need an opposite advice -they lead a completely aimless life,
and would really benefit from searching and finding the target that would
give them direction, and stediness. Anyway, this proved to be a good advice
for me. I do not feel any more cheated by life, nor do I feel that life
did me wrong. For someone maybe this is ''nothing special", but I
feel much better than I felt before.
Burden and ease
During life-time our longing takes different courses and
turns.
When we are young, we long to separate, to get away from the supervision
of parents, and start a life of our own. However, in many cases this may
be contrary to our parents' wish, who long to keep us more close to them.
Sometimes these contrary longings clash, sometimes they find a happy compromise.
But in many cases there is much suffering involved on both sides. Later,
when you have your own children, you change sides - now you wish to keep
them more close to your supervision, but they oppose, and develope lives
contrary to your expectations and wishes. Also, you can, sometimes, be
caught in-between your parents, and your children, especially when -both
sides at the same time - are expecting support from you. That is why many
people go through life (as if) carrying a burden, or a "cross".
In Christianity there is a famous dictum of Jesus Christ: "And whoever
does not accept his cross and follow after me, is not worthy of me"
(Bible, Matthew, 10: 38).
In Ch'an Buddhism there is a story related with Pu-tai (whose biography
appears in Ch'uan-teng Lu, fasc. 27), and who lived during the T'ang Dynasty
(died in 916). He is popularly known now as Laughing Buddha, or Happy Chinaman.
It is said that he always went around carrying a huge bag -a bottomless
source of benevolence, full of gifts for children.
Once a Ch'an master stopped him and asked him :
- What is the meaning (the essence) of Ch'an?
Pu-tai immediately stoped and plopped his sack down on the ground. Master
understood this as his answer ("The essence of Ch'an is to give you
relief ffrom your burden"), and asked further:
- What is the actualization (the function) of Ch'an.
At once Pu-tai swung the sack over his shoulder and continued on his way.
Ha! - thought the master - this means that once you have the essence you
return to daily life again and take over the ussual burden, but with new
mind!
Anyway, no matter do we consider our burden - (a) as a cross that we have
to carry because of our past sins, and as a ticket for our future salvation,
or (b) as a heavy sack of benevolence towards others - it seems to be related
with being human. Every person shares a certain lot (burden).
Trying to get rid of all burden, and to turn everyone and everything into
a support for oneself, turns a man into a monster. However, such monsters
are not rare in human kind, although they have various success and careers
-some manage to manipulate nations, or corporations, while some have power
only over several persons.
For virtuous people relationship with such men is a particular problem,
and the subject is dealt with beautifully in Chuang Tzu,
ch. IV (''In the World of Men"): "You may go and play in his
bird cage... If he listens, then sing; if not, keep still."
Longing for relationship and intimacy
In young age, persons also feel a general longing (without
a definite goal, or object), longing for experiences, and relationships.
Perhaps this longing comes from the same source as the longing of the chick
to get out of the egg, or of the butterfly to free itself of the cocoon.
This longing is found in a poem recorded by Meng Ch'i, in his Pen-shih
shih /Original Incidents of the Poems/, written during the T'ang dynasty.
The lonely Palace maiden was longing for a close relationship. So, she
inscribed a poem on a tree leaf, letting it down a flowing stream, to drift
outside the palace walls. The poem was as follows:
Once I entered the palace depths.
The spring of life was closed for me forever.
Now, I entrust my poem to a strip of leaf,
Hoping it will reach a man of feeling.
However, a person may long for a relationship even if not closed inside
a palace. Sometimes persons have a feeling that life itself is like a palace
with high walls, and they feel that they are closed in life -closed within
existing relationships, that are without warmth and tenderness, empty and
cold.
The French painter Van Gogh /19th cent./, wrote to his brother: "Some
people have a big fire-place in their souls, but no one ever approaches
it to warm up; passers-by just notice some smoke above the chimney and
go their way without stopping." He was fighting bravely against loneliness
and feeling of abandonment. At the end, he was overwhelmed by loneliness,
and committed suicide, unable to keep his sanity.
It does not matter does one feel like a maiden closed in a palace, like
a butterfly in a silk cocoon, or like a isolated fire-place. Basically,
it is the same longing -to reach out for a fruitfull relationship.
The initial longing is a valuable energy in human beings and whole life.
By itself, it is only a general potential -thirst for life, wish to experience
and go through life. It can be invested in evil -those who destroy and
kill give us examples for that. It can be invested in virtue, and inspire
humans to find out things, to undertake arduous enterprises and hardships
in order to reach lofty goals.
It can remain in its crude form -as will for power, property, or fame -or
it can be sublimed for higher aspirations. It can take various courses
even in the same person, in which case the person is contradictory - with
opposite traits.
However, most people manage to compromise, developing a dominant guiding
line in their life. In modern times, it usually centers round their profession.
For most people profession is a strong identification center, and when
they have to give it up and retire, this seems hard, or impossible.
Mask and face
In various traditions there is a story of a man who wanted
to hide his identity behind a mask. He wore a mask for many years, Finally,
one day he decided to get rid of it and to appear again with his original
face, but it was impossible -the mask has become his face.
Most often, we identify with a certain profession. After many years, when
we should retire, we are not willing to do that, because we feel we do
not have any other identity. Our personality has been spent up in our profession.
However, for most people, usually in late age, but sometimes before /if
they change the profession/, it is necessary to find a new center of identity.
"From Three Dynasties on down, everyone in the world has altered his
inborn nature because of some thing. The petty man? -he will risk death
for the sake of profit. The knight? -he will risk it for the sake of fame.
The high official? -he will risk it for family; the sage' -he will risk
it for the world. All these various men go about the business in a different
way, and are tagged differently when it comes to fame and reputation; but
in blighting their inborn nature, and risking their lives for something,
they are the same" /Chuang Tzu, ch. 8/
Longing for reunion
We can see that longing undergoes some change during life.
When one is young, his longing is directed towards the future, towards
the expected experiences and things of life: love, offspring, material,
or spiritual attainments. In old age one may have /or may not have/ a feeling
that he has attained or realized the goals of his youthful longing. In
most cases his longing makes a turn in the deep seat of consciousness.
It no longer faces the future, but mostly the past -he remembers his past
experiences and attainments, with a longing for the "good old times'!
The most rare kind are those who always seem "to be young at heart"
(a refrain in a tune, sung long time ago by Frank Sinatra). They -even
in old age -seem to have a childlike enthusiasm, readiness to forget the
old pain, and injustice, to start anew every day without resentment, as
if nothing bad ever happened. They always seem to consider the world afresh,
as a vast screen for new expectations, a great store of opportunities.
One type of longing is most common -to fulfill some particular desire related
with a definite object, or situation. This longing has two principal forms.
It can be a longing for a particular relationship, that is either expected
to happen, or to continue. Or it can be a longing for something lost, actually,
a wish for reunion. When we search through poetry, it seem that we find
more examples for the second type of longing - wish for reunion.
The Chinese poet Li Shang-yin /812 -858/, from T'ang dynasty, left in his
poems fine examples of longing:
Coming was an empty promise, you have gone and left no footprint.
The moonlight slants above the roof, already the fifth watch sounds.
Dreams of remote partings, cries which cannot summon.
Hurrying to finish the letter, ink which will not thicken.
The light of the candle half encloses kingfishers threaded in gold,
The smell of musk comes faintly through embroidered water lilies.
Young Liu complained that Fairy Hill is far.
Past Fairy Hill, range above range, ten thousand mountains rise.
/"Seven love poems", poem 5/
With Li Po /or Li Bai, 691 -762/, from T'ang dynasty.
we find examples of longing for reunion, in his poem "To someone far
away".
When she was here
pretty darling
flowers filled the hall.
Now she's gone
pretty darling
left her bed behind.
On her bed
the embroidered coverlet
rolled up
never slept in again.
Three years to the day
still keeps
the scent of her.
Fragrance never lost
pretty darling
never came back.
Longing and patience
In ancient Greece the poetess Sappho wrote: "I know
that in this world man cannot have the best, yet to pray for a part of
what was once shared, is better than to forget it."
In myth related with Orpheus we find a beautiful story how longing -being
always more or less impatient -can wreck an opportunity for reunion.
-Orpheus was in love with Eurydice, but one day she died of a snake bite.
With his lamenting songs Orpheus touched Pluto, the terrible Lord of the
Underworld. He permitted him to lead Eurydice back to the world of living,
but under one condition. It was stipulated that Orpheus must not look back
to see whether Eurydice really follows him (on the upward journey), until
he is completely beyond the confines of the Underworld. But the impatience
and longing were too strong for Orpheus. He looked back too soon, only
to see Eurydice, with a desperate glance, being drawn back again - and
thus he lost her forever.
After that he was longing for Eurydice, but this was longing for something
with no hope of retrieving.
Longing for something that will never be again, that is definitely out
of reach, is a particular subject of poetry; it causes hopelessness, which
is hard to bear.
In an old Chinese tune from Sung dynasty it is said:
When will the last flower fall, the last moon fade?
So many sorrows lie behind.
Again last night the east wind filled my room.
O gaze not on the lost kingdom under this bright moon.
Still in her light, my palace gleams as jade
Only from bright cheeks beauty dies.
To-know the sum of human suffering
Look at this river rolling eastward in the spring.
/''The Beautiful Lady Yu"/
In many cases longing for the irretrievable is related
with the death of the beloved. We find this in a tune by Su Shih /1037
-1101/, from Sung dynasty:
For ten years the living and the dead have been severed;
Though not thinking of you,
Naturally I cannot forget.
Your lonely grave is a thousand miles away,
Nowhere to tell my grief.
Even if we could meet, you would not recognize me;
My face is all covered with dust,
The hair at my temples shows frosty.
/"The Charms of Nien-nu"/
Longing for youth
But longing for something (usually) irretrievable is not
the last mode of longing. Among irretrievable objects, most irretrievable
is one's youth.
In certain periods of life longing seems to tire of itself, and one is
not capable to feel with previous freshness and intensity. There is lack
of enthusiasm, versatility, readiness to feel and run after experience.
Sometimes this is related with aging, but not necessarily.
When that happens one may feel a longing for previous freshness and intensity;
usually this is "longing for youth" The Serbian writer Bora Stankovic
/1876-1928/ was fascinated by this sentiment. In his play Koshtana,
the main character, an aged man laments:
"Nothing is wrong with me, I am healthy, but I suffer. I suffer of
myself, because I am alive. /.../ Why has my heart withered, my strength
dispersed, and I am aged... Do you know what is the black-sorrow-of-the-hearth
(Turkish: kara-sevdah)? That is my sickness. Being of old age, but
still feeling the lust for life... still craving for beauty and tenderness..."
This is a particular twist of longing -a person feels weary, but part of
the impulse is still present, and there is a longing for former days and
ways, when craving seemed related with something possible.
Being tired of life
When the French writer Jean-Paul Sartre /1905-1980/ wrote
his novel Nausea he was thirty, but it was the voice of a tired
man.
Bloomings, blossomings everywhere, my ears were buzzing with existence...'But
why' I thought, 'why so many existences, since they all resemble one another?'
/.../ They did not want to exist, only they could not help it; that was
the point. /.../ Tired and old, they went on existing... simply because
they were too weak to die... Every existent is born without reason, prolongs
itself out of weakness, and dies by chance. /.../ But no necessary being
can explain existence: contingency is not an illusion... it is absolute,
and consequently perfect gratuitousness /Nausea, ch.
"Six o'clock. in the evening"/.
"Man is a useless passion" - concludes Sartre at the end of ch.
4 in Being and Nothingness.
This tiredness sometimes arises even in hearts of young men and women.
It may be a pre-sentiment of weariness, and despondency that people feel
with more justification when they are hit by some personal or collective
catastrophy, or when they are tired of life in old age. We can also find
this mood in Indian Buddhism:
There is no fire like passion, no capturer like hartred,
There is no net like delusion, no torrent like craving.
/Dhammapada, 2:3/
The value of the useless
Is it the same thought, as in Sartre -is it useless to
flourish? Are our passion and our longing useless, and absurd? Have we
been cheated by life and becoming? Is our longing just a cunning invention
of nature to make us take over and carry our crosses, and sacks for decades,
before we tire up, or realize the uselessness? And the Gods join to persuade
us that it is our holy duty to do so?
Taoism and Buddhism go beyond the point where Sartre stops. Lao Tzu said:
See, all things howsoever they flourish
Return from the root from which they grew.
But he adds: This return to the root is called Quietness;
Quietness is called submission to Fate;
What has submitted to Fate has become part of the always-so
To know the always-so is to be Illumined;
Not to know it, means to go blindly to disaster /Ch. 16/.
At the very end of ch. 4 in Chuang Tzu we find a famous remark:
"All men know the use of the useful, but nobody knows the use of the
useless." Perhaps old Rome -beside silk and china-ware -imported from
old China some wisdom as well, and Publius Ovidius Naso /43 B.C.-18 A.D./,
says in his Ex Ponto /II,7.47/: "Nothing is so usefull as arts
that are of no use" /Magis utile nil est artibus bisque nil utilitatis
habent/.
So far, three answers seem possible, and I think that all are legitimate;
neither can be prescribed as exclusive and valid for everyone. It is possible
to affirm the will to flourish, again and again, as Nietzsche would say:
"Let it be -once again" Or to say with Sartre: "No more
-I find it useless and absurd" Or to agree with Buddhism and look
for release from the wheel of becoming and longing.
Longing for release
With the third, longing seems to come to its final goal
and form -longing for release /from longing/. Is it possible for longing
to go beyond itself, and reach that peace of mind that liberates from longing?
This is -at the same time -most simple, and most complex.
In Hsin-hsin Ming, a Ch'an text from the eight century, we find
the following lines with a possible answer.
The best way is not difficult
It only excludes picking and choosing
Once you stop loving and hating
It will enlighten itself.
To set longing against loathing
Makes the mind sick.
Not knowing the deep meaning /of the Way/
It is useless to quiet thoughts.
If the mind does not discriminate
All things are of one suchness.
In the deep essence of one suchness
Resolutely neglect conditions.
When all things are held as even
You return again to spontaneity.
Put an end to the cause
And nothing can be compared.
One is all
All is one -
Merely with such ability
Worry not for finality.
/Stanzas 1,3,24,25,35/
What is the real difficulty? If you want to go beyond longing - and not
only give it up in despair and/or unsatisfied thirst, which will lead you
to a new birth, repeating the story all over - release should not be an
object of your longing.
Bibliography
- Anthology of Chinese literature /1965/, ed.by
C. Birch, Penguin
- Auden, W.H. /1976/: The Portable Greek Reader, New York,
Viking
- The Complete Yorks of Chuang Tzu, /1968/, trans. by B. Watson,
New York.
Columbia Un. Press
- Evans, B. /1972/: Dictionary of Mythology, New York, Laurel
- Levy, H.S. /1968/: "The Original Incidents of the Poems", Sinologica,
Vol. X, No 1, Basel, Switzerland,/pp 1-51/
- Pajin, D. /1985/: "On Faith in Mind -Translation and Analysis of
the Hsin-hsin Ming", Journal of Oriental Studies, Vol. XXVI,
No.2, Univer. of Hong Kong /pp.-776-288/
- Sartre, J-P. /1965/: Nausea, Penguin
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London,
Allen & Unwin.