Stargazer by Karen D. Morton Copyright 1989 by Karen D. Morton. All rights reserved. Chapter 7 1987 "Who was the old man?" Holding a white bag, Judith slid into the car beside me. "He... Wanted me to contribute to his cause," I lied. How could I possibly explain something I didn't understand? On our way back to her house, I tried to think about the things Nicholas had said. I came up with only more questions. I hoped that he was right about John's returning to me. At least I no longer questioned my sanity. The next few days dragged on with unbearable loneliness. I had no daydreams to retreat into. I also had no company. The trio at Judith's house all but ignored me. Teri was either at work or the artists' barn. Judith worked overtime, so she usually went straight to bed. Although Paul worked fewer hours, sewing occupied him at home. By Tuesday, I couldn't stand it any longer. I had to have somewhere to escape to. In spite of Nicholas' reassurance, it was clear John would never return for me. I couldn't even take comfort remembering him. The harder I tried to remember, the more my head hurt. Painful spasms seized my finger. How could a ring fight my memories? But fight it did, and I had not choice but to deal with it. "Please," I begged. "Let me remember!" My dreams returned that night. 1895 For several days after my visit to the Conveyance, I agonized over whether or not to leave. John meant more to me than anyone else -- save my family. I didn't want to desert them. Even if Mother didn't think of me as an ideal daughter, I was still the only one she had left. Who would help Eliza take care of Linda? Leaving would probably mean saying goodbye to them forever. On the other hand, I would never see John again if I stayed. No other man would ever understand me as well as he. I would have to live alone for the rest of my days. My hair brush snagged on a tangle. Compared to the Conveyance, my surroundings were dismal at best. Knoxville's noisy factories and street cars hurt my ears. Chimneys belched foul, black smokes that coated everything. I tired of walking around piles of horse manure and puddles of urine every time I crossed a street. I would never have a room where I could lie naked without embarrassing someone or catching a cold. How could I travel to the stars by train or carriage? But these thoughts were secondary. I pulled my corset's laces too tight, and I had to redo them. Tonight, I had to go out. Before I could even hope to go with John, I had to deal with Frederick. Paw had once said, "It's best to finish what you start." I had waited four years too long. I put only a handkerchief back inside my emptied purse. On the railroad, my father had carried a Derringer, which Mother had locked in their dresser. By going through Paw's things, I had found the key. I slipped the gun into my purse before I went downstairs. During supper, Eddie chatted with Mr. Cromley about the races. Eliza served us her early crop of tomatoes. I ate them and the peas without tasting either. Eddie downed bacon sandwiches made with freshly baked biscuits. Eliza brought coffee and an apple stack cake to the table. Eddie and Mr. Cromley started talking about engineers building the new Gay Street bridge. I didn't feel like listening, so I excused myself. "Where are you heading tonight, Sister?" Eddie helped me put on my jacket. "Nowhere special." I picked up my purse. "Mind if I come along?" He waited a moment for my answer, then he added, "You're goin' to see John tonight, aren't you?" "Where I go is my own business." "Are you going to marry this one?" Eddie held the door open for me. "I haven't decided yet. Good evening." I forced myself not to look back at the house as I walked downhill to Cumberland Avenue. Appropriately, the early evening air was thick and stagnant. A smoky haze put halos around the street lamps. Most people were still eating their suppers indoors. I was grateful I didn't have to answer the usual evening pleasantries called from my neighbors' porches. They sometimes asked embarrassing questions. When I reached Cumberland Avenue, I stopped to dab my face. It wouldn't do to look either tired or afraid. Perhaps I could catch Frederick off guard and do my dirty deed quickly. I climbed the stairs to the second floor of his apartment house like a condemned man climbing steps to the gallows. My reasons for coming here were even more wrong than they had been that night four years ago. The Good Book taught that I should let God take vengeance on my torturer, yet Frederick didn't suffer any for injuries he inflicted upon me. Tonight, he would know fear and guilt. By my doing. "Just a minute!" Frederick Quarrels stuck his lean, angular face out the door. "Why, Carolyn! What are you doing here?" "May I come in?" I practically choked on my words. His apartment was in disarray: A table lay on its side and clothes were strewn over the couch and chairs. Had he debauched another poor girl? "Won't you sit down?" He bent over to pick up the table. "I didn't come here to be sociable with you!" I pointed Paw's Derringer at him. Frederick grabbed my arm, which made me tighten the grip on the gun. "Carolyn, put that down. I'm not --" A small explosion cut his words off. Something warm oozed onto my hands and my abdomen, and the steamy smell of defecation filled the room. Holding his stomach, he collapsed at my feet. My hands and the gun were covered with his blood. I suppressed a scream as I backed away from him. "I only wanted to scare you! Oh, God, what will I do now?" "Carolyn," he whispered. "Listen to me..." Blood poured on the carpet from his abdomen. The door stopped me from backing farther away. I should run, but Frederick's eyes held mine. "We must leave --" Someone knocked on his door behind me. I almost screamed as I jumped away. "Sister?" called Eddie's voice. "Open the door!" "Go away!" "The hell I will! Dear Jesus!" Eddie shut the door behind him. I knelt beside Frederick. "Call the police. I can't leave him to die!" "Have you gone mad? They'll hang you for this! What were you doing here?" "He -- he raped me. I wanted to see him punished, to be as scared as I was. My gun went off, and -- he --" "I can see what happened!" Eddie dunked a towel in the porcelain face bowl. "Wipe that blood off yourself. We've got to get out of here." "What about Frederick?" Eddie knelt beside us. "I can't let you shame our whole family by bringing the police into this. If he hurt you, let him suffer for it. If not, then that's between you and God. We won't talk about this again." I slapped him with the wet towel. "You're just like every other man here! You think I'm a whore." "Sister, what I do or don't think of you doesn't matter right now. Let's go before someone hears us!" He grabbed one of Frederick's coats. "Fold this over your arm so no one will see that blood. And give me Paw's gun!" On the street, someone blew a police whistle. Eddie guided me through a growing crowd of onlookers. People inside the apartment house yelled out their windows: "Gunshots!" "Murder!" As we walked up Sixth Avenue, excited boys ran from house to house. The Williams girls sped past us in their family's carriage. In their rush to get to the scene of the crime, they did not notice us. Neighborhood boys beat us home. Mr. Cromley sat on the front porch and talked to old Mr. Harris from next door. Eddie shoved me into the kitchen from the side porch. "Oh, Law!" A plate smashed on the floor in front of Eliza's feet. "Be she hurt, Eddie?" "It ain't her blood." He opened the stove to stoke its coals. "Burn the coat she's carrying and her dress, too. Don't breathe a word about this to anybody. I'll be back later." The screen door slammed behind him. Eliza tossed more coal into the stove, then she stuffed in Frederick's coat. Numbly, I retreated to the side pantry to take off my dress. She brought my nightgown and the water pot. While she poured boiling water into the bath tub, she said, "Girl, you done got yerself in trouble now, eh?" I felt nothing, not even remorse. Eddie and Eliza treated me better than I deserved. They should have let the police take me away to swing from the gallows. The water I sat in was the temperature of human blood. Frederick's blood would wash from my body, but never from my soul. I was a murderess. Sheets strung on those drying racks could serve as my burial shroud. His blood was already up to my neck. Another few inches, and it would fill my lungs. To silence my tears forever. "Wake up!" Eliza grabbed me before my head could go under. My cheek stung. The pain was enough to let my tears come out. "It was an -- an accident. I only wanted to scare Frederick because he raped me..." Eliza poured malt whiskey into a cup. "Drink this." Liquid burned my mouth and throat. After helping me out of the tub, she wrapped me in a sheet. We sat together on the floor. "You no bad girl, Car'line," she said. "You didn't mean no harm. But most folks won' see it that way. That's why Eddie brung you back here instead o' lettin' you tell the po-lice. That's why you can't ever tell nobody else about it. One thing, chile. How come you had to go see Mistuh Quarrels tonight?" "John..." I felt light headed, just as I had four years ago. "He wants me to travel with him. As his wife." "Yo' mamma be happy to hear that." "I can't go with him now, Eliza. Not like this. I'll never see him again since he's leaving tomorrow --" "Tomorrow!" Her dark face wrinkled into a frown. "You was gonna go and elope with this man?" "He -- he can't stay here any longer." "They always say that. He take you off, git what he want, then leave you someplace. That what Mistuh Brown done to me. You better off lettin' him go." "John is different. He knows what Frederick did, and he doesn't blame me for it like other folks would." "Girl, that whiskey done gone completely to yo' head. A smooth talkin' man make you believe anythin'." "'Liza?" Linda opened the pantry door. "And what'choo doin' outta bed, Little Girl?" Eliza picked her up. "Come on." I was grateful to be left alone. I knew Eliza meant well, but the last thing I needed right now was a lecture on morality. Or common sense. She would only repeat what I had been saying to myself. I shrugged into my nightgown. The whiskey made me sleepy, so I went upstairs to bed. Dreams tortured me through the night. Frederick laughed as he debauched me. After he finished, I pointed my finger at his stomach and shot him. He fell down. I reached out to stop his bleeding. A river of blood flooded over me. I was drowning -- I sat up. My shadowed canopy hovered over me, like death waiting to take its next victim. Phosphorous hands on my alarm clock said the time was 3:45. Long shadows stretched across the floor from the dimly lit window. Outside, street lamps softly glowed on Laurel Avenue. Pretty soon, electric lights would take the lamp man's job here, too. Some people said that new-fangled contraption, the automobile, would replace horses and buggies. I wondered how this kind of "progress" would shape the world of the twentieth century. My robe offered me little warmth. I knew the only way I'd ever be able to face myself would be to face the police. After I dressed, I softly closed the front door. Not even a street car would be stirring at four in the morning. My walk to jail on Hill Avenue would be my trail of repentance. Around me, night brightened to pre-dawn greyness. On Clinch Avenue, the lamp man tipped his hat to me. I suppose he wondered what I was doing on the street at such an hour, but I was thankful he didn't ask. When I reached the corner of Clinch and 2nd, I nearly tripped over the Porterfield boy's bicycle. I dug into my purse for coins to buy one of his newspapers. If anyone knew the details about last night, it would be the Daily Journal. I sat on the bench at a street car stop to read. On page 6, I found the headline: "PECULIAR HAPPENING/Frederick Quarrels Found Hung in His Apartment./Mysterious Bloodstains Confound Police." Frederick hung? No, that couldn't be right. The story read: "Last night at nine o'clock, police answering a complaint of hearing gunshots found Mr. Frederick Quarrels hung in the bedroom of his apartment on Cumberland Avenue, in what appears to be a suicide. "The police found a pool of blood on the floor of his sitting room. A towel also had blood on it. Mr. Quarrels' body had no cuts on it. Police believe that the blood belongs to the victim of the gunshot. Tenants of the apartment house and the police searched the entire area without finding the victim. "The police are looking for anyone who might know about either the hanging or the shooting." My newspaper fell onto the sidewalk. If I hadn't shot Frederick, then who did I shoot? Last night, Frederick's voice had been surprisingly soft and calm. Like John's. "I haven't forgotten about Mr. Quarrels," he had said. Looking like someone else was probably not beyond the capabilities of a man from another world. John had tried to tell me last night. And I didn't listen. I covered my face with my hands to weep for his passing. No. That wouldn't accomplish anything. I had only one way of knowing whether or not I had killed him. When the morning's first street car stopped by, I got on. I changed cars on Gay Street, then I rode until Cumberland Avenue merged into Main Street. From there, I walked to MacCammon Street and the ferry. The first one of the morning was just getting ready to cross. A gentleman was kind enough to holler "Wait!" for me. I thanked him when I got on board. On the South Knoxville side of the Tennessee River, John waited to board the ferry. He was in the pink of health -- Could I have guessed wrong? I couldn't face him and explain what I had done. I turned to get back on the ferry. "Don't go, Carolyn!" John took my arm. I let him walk me to Old Sevierville Road before I said anything. "Have you seen this morning's newspaper?" "I didn't have to. I was there." "How can you stand to talk to me?" "It was an accident." He walked into the clearing. I stopped. "You walk awfully well for a man who has been shot in the gut." "The Conveyance has an efficient medical unit." He stood in front of me. "I'll answer your questions. But not out here." "I can't go with you, John. I'm unworthy." "I love you." He took my hands. "Because you are 'worthy.' Come with me." I shook my head. "I don't deserve --" "Oh, will you please stop that? It's time for you to let go of your self pity. Instead of blaming yourself, you ought to be demanding to know what I was doing there!" He bent down until his face nearly touched mine. "Why did Frederick hang himself? Because he reacted too strongly to meeting 'the Devil.' Why did I have my translator project his face? So I could go in and out of his apartment unnoticed. Why didn't I tell you? Because you didn't give me a chance." "Goodbye, John." I turned to leave. "No!" He grabbed my arm. "I won't let you leave until you've slapped me in the face for putting you through such misery." "Let me go! Why did you have to come into my life?" My fist struck his chest. "Every time I think I have everything under control, you stir things up! I'll never live all this down!" I hit him once for every bit of pain he had made me remember. For the first time in my life, I didn't want to stop the anger boiling inside me. My last blow struck his chin. Startled, he stumbled backwards and tripped on a tree root. His sprawling on the ground reminded me of a buffoon I had once seen on stage. His crooked grin made me laugh. I sat on the ground next to him. We hugged and laughed until my sides hurt. He leaned against a tree and I lay against him. His shoulder seemed to have been made for my head. Just as we seemed destined to be together. Letting him go now would be the biggest mistake of my life. "I love you, John." I sat up. "A sensible woman would send you on your way. But sometimes I don't have any sense at all." He helped me stand. "If you want to come with me, it has to be today. My time here has ended. I'm afraid we won't have time for a marriage ceremony." "My family would never understand my going." I squeezed his hand. "Eliza thinks I'm crazy, Eddie thinks I'm a murderess, and Mother... Let's just go. Now. Before I change my mind." 1987 "Stargazing again?" Paul stood over me. "Just remembering." My cheeks burned with embarrassment. "Try this on." He dropped a green velvet coat into my lap. "What were you thinking about?" "Someone who said he loved me." I slipped on the coat. He tugged it in various places. "The waist is a little too snug. I can take out these pleats here to compensate. Is this guy the same one Judith said you lost at Miller's?" "Perhaps." I regretted burdening Paul. Didn't he have enough trouble without worrying about my problems? "Never mind." "You know, if Judith and I have anything in common, it's a dislike for being strung along. Out with it, darlin'." He marked on the coat with tailor's chalk. "What would you say if a person who claimed to love you killed someone who had once hurt you?" "In what way? Damn. That doesn't hang right. Hold still." He tugged on the hem. "The 'victim' did something horribly violent to you." "You mean like this?" He pulled me close and bent down till his lips nearly touched mine. "Yes." Not so long ago, I would have trembled in fear of a man who held me like this; instead, I smiled. "I thought you didn't do things like that." "Very funny." Paul released me. "As to your question, I'd say the dude who raped you got what he deserved. But I'd wonder about your lover. He may have a few screws loose upstairs. Look, would you tell me the story behind this conversation?" "Maybe some other time. Judith will be terribly upset if you don't have that costume finished by Friday." "Yes, the Queen hath spoken." Paul scooped up the ringing telephone. "Hello?" He grinned at me. "Really, Teri? Sure, we can come down to the artists' barn.... Just me and Carolyn... Okay. Grab your jacket, Girl, Teri says there's something she wants you to see." We arrived at the artists' barn thirty minutes later. Except for Kingston Pike and a nearby "convenience" store, this area held nothing except for farm houses and cow fields. Knoxville hadn't gobbled up all of its surrounding countryside after all. The artists' barn had been painted with multi-colored murals. Inside, the scent of freshly cut lumber and drying paint filled my nostrils. Artists built backdrops, worked on sculptures, and played guitars. They had changed little of the barn's original structure. "Up here!" Teri called to us from the hayloft. On this level, which we accessed by an unpainted staircase, a group worked on the steps to a primitive dance. A woman called out to Paul, who waved back. He muttered something about needing to dance again. Paintings to be displayed in the Mall's art show were stacked along one wall. A plumper and nude Judith wore a silver, translucent ball gown. The painting was crude, yet Teri had captured Judith's spirit on canvas. "The Williams paintings are over here," Teri said. "Most of them are prints, but they sent us two originals from the 'Boarding House' series." She pulled me over to another area. On the first canvas, an old Negro woman stood in the middle of a blue kitchen. In spite of her age, I recognized dearest Eliza. The painting was signed "L. Williams." "That was one of Mrs. Williams most famous paintings," Teri explained. "It's called 'Eliza's Kitchen.'" What now seemed like an eternity ago, Judith had tried to tell me that little Linda had become a famous painter. "That's nice, but what's it got to do with Carolyn?" Paul scratched his head. "Over here." Teri led us to another painting. This picture showed a telescope, not quite like Paw's, sitting on a blanket. A masculine shadow loomed in the background. Beside the telescope sat a young woman wearing a long dress and writing in a book. That woman was me.